Three Poems by Allama Iqbal:
A Psychological Interpretation of ‘A Mother’s Dream’, ‘Khizr the Guide’ and ‘Dialogue between God and Man’
Part II.
Khizr-e-Rah (Khizr the Guide)
Al-Khizr (Arabic: “the Green One”) is an enigmatic figure in Islam. He is best known for his appearance in the Qur’an in Sura al-Kahf. Although not mentioned by name, he is assumed to be the figure that Musa (Moses) accompanies and whose seemingly violent and destructive actions so disturb Moses that he violates his oath not to ask questions.
Islamic tradition sometimes describes him as Mu’allim al-anbiya (Tutor of the Prophets), for the spiritual guidance he has shown every prophet who has appeared throughout history. In Sufi tradition, Khizr has come to be known as one of those who receive illumination direct from God without human mediation. He is the hidden initiator of those who walk the mystical path and also figures into the Alexander Romance as a servant of Alexander the Great. Al-Khizr and Alexander cross the Land of Darkness to find the Water of Life. Alexander gets lost looking for the spring, but Khizr finds it and gains eternal life. read more…
Three Poems by Allama Iqbal:
A Psychological Interpretation of ‘A Mother’s Dream’, ‘Khizr the Guide’ and ‘Dialogue between God and Man’
Part I.
‘Everywhere I go, I find that a poet has been there before me’
Sigmund Freud
One of Iqbal’s translators, the Scotsman Victor Kiernan wrote ‘Mohammad Iqbal, the ‘Poet of the East’, lived a life of which outwardly there is little to be said and inwardly, of which little is known.’ Works on Iqbal by scholars and academicians would fill up a small library, particularly in Pakistan, where he is revered as one of the country’s founding fathers. He was one of the early proponents of the idea of a separate state for the Muslims of British India, a fantastically improbable idea at the time. His eventual whole hearted support for the idea of Pakistan was surprising considering that one of his early poems ‘Tarana-e-Hindi’ (‘Song of India’), first published in 1904, is still sung and revered widely in India. Mahatma Gandhi wrote to Iqbal that he sang it hundreds of times during his many prison terms for sedition and political activity against the British Raj. Iqbal did not live to see his dream of a separate homeland for India’s Muslims brought to fruition and would, surely, have ‘recoiled in horror’, as Kiernan wrote, had he witnessed the communal blood bath that accompanied the birth of his vision. There are still no accurate estimates of the number of people that perished on both sides of the newly created border but half a million people killed and twelve million made homeless is one estimate. All this came much later though. Before all this was the poetry, page after page of lyrical, melodious poems reflecting on themes as simple as mountains, animals and insects and as exalted as God, Heaven, Angels and everything in between. read more…
Death is but a temporary fading
We shall go on after taking a breath.
-Meer Taqi Meer
In the medieval morality play of the same name, the title character Everyman is visited by Death who informs him that it is time. Everyman pleads for mercy, protests that he is not ready but to no avail, Death informs him that he must make the journey but tells him that he may take a companion with him.
Recently a spate of publications on primary level education sector in Pakistan have highlighted the facts that a) percentage of children going to private schools in Pakistan has risen rapidly to about 1/3rd of total by now, b) private schools are not just in urban areas but in rural as well, and c) private schools are not just for the rich and even the poor can afford fees of Rs 50-100 per month. read more…
In this article Ali Hashmi talks about the Progressive Movement in the IndoPak and the role of Faiz Ahmad Faiz in it. The article is written in Urdu and can be accessed through the PDF download below.






